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Sundance 2026 Movies Sold So Far: Apple Acquires Mountain Climbing Doc ‘The Last First: Winter K2’

Posted on February 7, 2026 By No Comments on Sundance 2026 Movies Sold So Far: Apple Acquires Mountain Climbing Doc ‘The Last First: Winter K2’

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Sundance

Sundance 2026 Movies Sold So Far: Apple Acquires Mountain Climbing Doc ‘The Last First: Winter K2’

Neon also acquired William and David Greaves’ buzzy doc “Once Upon a Time in Harlem,” which could become a major Oscar player.
By Brian Welk

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Brian Welk has joined IndieWire as Senior Business Reporter

Courtesy of Brian Welk

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February 5, 2026 2:30 pm

'The Last First: Winter K2'

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Of the 90-plus films and episodic series premiering at the Sundance Film Festival in 2026, only about a dozen are arriving at the festival with distribution in hand. Many will be looking for homes, but if this year is anything like last year, it may take some time for those sales to close. We’ll be tracking all of them as they come in.

“The Last First: Winter K2”

Section: Premieres
Distributor: Apple
Directors: Amir Bar-Lev
Date Acquired: Feb. 5
Buzz: In terms of pure visceral thrills, it’s hard to beat a good mountain climbing documentary. That’s the bet Apple made when it acquired “The Last First: Winter K2,” which also explores the corrosive affect that influencer culture has had on the world of mountain climbing. Bar-Lev has an extensive track record of delivering documentary hits about a wide range of topics, so the tech giant is likely hoping that it has the next “Free Solo” on its hands.

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“Once Upon a Time in Harlem”

Section: Premieres
Distributor: Neon
Directors: William and David Greaves
Date Acquired: Feb. 5
Buzz: Few nonfiction films at Sundance generated more buzz than “Once Upon a Time in Harlem,” William Greaves’ posthumous collection of conversations from a 1974 cocktail party of Harlem Renaissance luminaries that was assembled by his son David. The film is a vital historical artifact, and the fact that it hails from a legendary documentarian only adds to its prestige. We’re hearing it generated offers from Netflix and MUBI and others and already has invites to some other major upcoming festivals. Watch out for this one come Oscar season.

“Bedford Park”

Section: U.S. Dramatic Competition
Distributor: Sony Pictures Classics
Directors: Stephanie Ahn
Date Acquired: Jan. 30
Buzz: In its second acquisition in two days, Sony Pictures Classics picked up another set of worldwide rights to yet another U.S. Dramatic Competition title. “Bedford Park” is also the directorial debut of Ahn, and it’s a drama about a woman (Moon Choi) struggling between her loyalty to her Korean immigrant family and her own American identity, as a child raised in New Jersey.  When her mother gets into a car accident, it leads to a fateful meeting with Eli (Son Sukku), an ex-wrestler battling his own fractured past.

In addition to Sukku being the host of IndieWire’s final Chili Party in Park City, IndieWire’s review praised the film for being rich in detail rather than sacrificing specificity for a simple love story.

“Ha-Chan, Shake Your Booty!”

Section: U.S. Dramatic Competition
Distributor: Sony Pictures Classics
Directors: Josef Kubota Wladyka
Date Acquired: Jan. 29 
Buzz: One of the buzzier competition titles at Sundance not because of its star power but because of its playful title and crowd pleasing sentiment, one that earned a standing ovation for director Josef Kubota Wladyka and his mother on whom the film is based, the real Ha-Chan. Shot in Japan, Rinko Kikuchi stars in “Ha-Chan, Shake Your Booty!” as a woman who leaves the Japanese ballroom dance scene after tragedy strikes, only to be lured back onto the dance floor after developing an infatuation for a new instructor. SPC picked up the worldwide rights to the film. It also stars Alberto Guerra, Alejandro Edda, Yoh Yoshida, and Damián Alcázar.

“The Invite”

Section: Premieres
Distributor: A24
Directors: Olivia Wilde
Date Acquired: Jan. 27 
Buzz: This was a true, old-fashioned, late night bidding war between multiple interested buyers that ended up being a 72-hour, marathon competition. IndieWire hears that Neon, Black Bear, Netflix, Searchlight, and Focus Features — and even Warner Bros. at the 11th hour — were all in the mix for what was Olivia Wilde’s third feature as a director. We’re also hearing that the final bidding got into the 8-figure range. Others may have bid more, but Wilde was determined to get a theatrical deal. And it’s fitting too, because this was one of the starrier movies at the festival with Wilde, Seth Rogen, Edward Norton, and Penélope Cruz all leading the ensemble cast. “The Invite” quite simply is about the dinner party from hell when a couple whose marriage is on the brink have dinner with another couple that’s polyamorous, but the crowds that saw it say there’s a lot more layers to this one than just that. Will McCormack and Rashida Jones wrote the screenplay based on a 2019 Spanish film called “Sentimental.” UTA Independent Film Group and FilmNation co-repped the sale, and the film hails from Megan Ellison and Annapurna, who also previously produced Wilde’s debut film “Booksmart.”

“Leviticus”

Section: Midnight
Distributor: Neon
Director: Adrian Chiarella
Date Acquired: Jan. 27 
Buzz: A queer, coming-of-age horror movie? “Leviticus” is about two teenage boys who have to fight off a violent entity capable of taking the form of the other. The film plays on the real-life horrors of conversion therapy and stars Joe Bird, Stacy Clausen, Jeremy Blewitt, Ewen Leslie, Davida McKenzie, Nicholas Hope, Zahra Newman, and Mia Wasikowska. The film’s unique genre premise from writer/director Adrian Chiarella, his feature debut, was good enough for Neon to jump on worldwide rights in a seven-figure deal, as well as the first sale of the festival, an otherwise slow affair thus far, though one that has sparked an early bidding war for at least one other title. “Leviticus” will be released later this year and is actually Neon’s second deal for a horror movie out of the festival, as the distributor also over the weekend joined the next film from “It Ends” director Alex Ullom.

Films Arriving at Sundance with Distribution

'The AI Doc: Or How I Became an Apocaloptimist'
‘The AI Doc: Or How I Became an Apocaloptimist’Sundance

“The AI Doc: Or How I Became an Apocaloptimist”

Section: Premieres
Distributor: Focus Features
Directors: Daniel Roher and Charlie Tyrell
Buzz: The “Navalny” director teams up with producer Daniel Kwan (“Everything Everywhere All At Once”) on a film that goes deep into the perils and promise of artificial intelligence, all through the lens of Roher debating whether this is a good moment to bring a child into the world.

“The Brittany Griner Story”

Section: Premieres
Distributor: ESPN
Director: Alexandria Stapleton
Buzz: The director of “Sean Combs: The Reckoning” sits down with Brittany Griner, the basketball star who was famously detained and became the subject of a media and political frenzy as she hoped to secure her freedom.

“Give Me the Ball!”

Section: Premieres
Distributor: ESPN
Directors: Liz Garbus and Elizabeth Wolff
Buzz: More than a sports doc, this portrait of Billie Jean King looks at the tennis icon’s compulsion to hide her sexual orientation and eating disorders.

“In the Blink of an Eye”

Section: Premieres
Distributor: Searchlight Pictures
Director: Andrew Stanton
Buzz: Though he’s directed plenty on TV, Pixar vet Andrew Stanton is returning to a live-action feature for the first time since “John Carter” dropped way back in 2012. “In the Blink of an Eye” is a triptych set in ancient times, modern day, and in the distant future, exploring how those three eras are connected by hope and the circle of life.

The Moment
‘The Moment’A24

“The Moment”

Section: Premieres
Distributor: A24
Director: Aidan Zamiri
Buzz: One of three films starring Charli XCX at the festival, the “brat” pop star plays a version of herself in an exaggerated mockumentary that comments on the idea of modern celebrity.

“One in a Million”

Section: World Documentary
Distributor: PBS/Frontline
Directors: Itab Azzam, Jack MacInnes
Buzz: This documentary was filmed over 10 years and follows a Syrian refugee girl who travels to Germany and then back to Syria with her family.

“Queen of Chess”

Section: Premieres
Distributor: Netflix
Director: Rory Kennedy
Buzz: Perhaps a documentary for “The Queen’s Gambit” fans, this film follows a girl from Hungary who is a chess prodigy trying to break into a male-dominated competition circuit.

Midori Francis appears in Saccharine by Natalie Erika James, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute | photo by Shudder.
‘Saccharine’Courtesy of Shudder

“Saccharine”

Section: Midnight
Distributor: Shudder
Director: Natalie Erika James
Buzz: Shudder picked up this body horror film from the “Relic” director just before the festival. It stars Midori Francis as a woman who takes part in a bizarre weight loss craze that involves eating human ashes, only to become possessed by demonic forces in the process.

“TheyDream”

Section: NEXT
Distributor: Latino Public Broadcasting and ITVS
Director: William D. Caballero
Buzz: This animated film that combines a variety of styles, including 2D, 3D, and live-action, is a deeply personal autobiographical documentary from mixed media filmmaker Caballero, who looks back on his career and examines grief through the lens of his Puerto Rican family in North Carolina. Theatrical rights are still available.

“Time and Water”

Section: Premieres
Distributor: Nat Geo
Director: Sara Dosa
Buzz: Like her Sundance breakout “Fire of Love” before it, “Time and Water” is a more elevated nature documentary and follows an Icelandic writer eulogizing both a glacier and his grandparents.

“Undertone”

Section: Midnight
Distributor: A24
Director: Ian Tuason
Buzz: A micro-budget horror movie in the vein of “Paranormal Activity” that first played at Fantasia Fest, the actual producers of “Paranormal Activity” helped give the film a new cut and are hoping for another horror hit.

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